Around the World in 80 Days
(The Michael Todd Company; United Artists; October 17, 1956; 182 minutes)
Screenplay by James Poe, John Farrow and S.J. Perelman
Based on the 1873 book by Jules Verne
Produced by Michael Todd
Directed by Michael Anderson
Around
the World in 80 Days is a 1956 American epic adventure-comedy film
starring David Niven, Cantinflas, Robert Newton and Shirley MacLaine.
The film's six-minutes-long animated title sequence, shown at the end of
the film, was created by award winning designer Saul Bass. Broadcast
journalist Edward R. Murrow presents an onscreen prologue, featuring
footage from A Trip to the Moon (1902) by George Amelie, explaining
that it is based loosely on the book From the Earth to the Moon by Jules
Verne. Also included is the launching of an unmanned rocket and
footage of the earth receding. In 1872, an English gentleman, Phileas
Fogg, claims he can circumnavigate the world in eighty days. Fogg met
four fellow members of the Reform Club stating that he can make the
journey and arrive back at the club in eighty days at exactly 8:45 pm that
evening. Together with his resourceful French
valet,
Passepartout, Fogg goes hopscotching around the globe generously
spending money to encourage others to help him get to his destination
faster so he can accommodate tight steamship schedules. Having reached
Paris they learn that a tunnel under the Alps is blocked. Thomas Cook , an
agent who assists them, offers to hire or sell them his hot air
balloon. Fogg buys it and they fly over the Alps drinking champagne.
Blown off course, the two accidentally end up in Spain, where we see a
table-top flamenco sequence performed in a bar. Later Passepartout
engages in a comic bullfight. Next, they go to Brindisl in Italy.
Meanwhile, back in London, suspicion grows that Fogg has stolen 55,000 pounds
from the Bank of England so police inspector Fix is sent out by Scotland
Yard to trail him (starting in Sue's restaurant) but must keep waiting for a
warrant to arrive so he can arrest Fogg in the British
controlled
ports they visit. In India, Fogg and Passepartout rescue a beautiful
young widow, Aouda, from being forced into a funeral pyre with her late
husband. The three then travel to Hong Kong, Yokohama, San Francisco,
and the Wild West (including the Sioux Nation). Reaching New York, they
arrange their passage on a cargo steamship traveling to Venezuela.
Fogg bribes the Captain to go to England. Alas, they run out of coal
mid-ocean and the ship stops. Fogg buys the ship and then instructs the
crew to take everything that burns, including lifeboats to provide
fuel! They arrive in Liverpool where, still with just enough time left
to travel to London and win his wager, Fogg is promptly arrested by the
diligent yet misguided inspector Fix. Detaining Fogg at the police
station, the humiliated Fox discovers that the real culprit has already
been apprehended by police in Brighton.
Although
Fogg is exculpated and free to go he now has insufficient time to reach
London before his deadline, and so has lost everything but the enduring
love of the winsome Aouda. Upon returning to London, Fogg asks
Passepartout to arrange a church wedding for the next day, Monday.
Salvation comes when Passepartout is shocked to be informed that the
next day is actually Sunday. Fogg then realizes that by traveling east
towards the rising sun and crossing the International Date Line, he has
gained a day. Thus, there is still just enough time to reach the Reform
Club and win the bet. Fogg rushes to the club, arriving just before
the 8:45 pm chime. Passepartout and Aouda then arrive behind him,
shocking everyone, as no woman has ever entered the Reform Club before.
Around the World in 80 Days has celebrity cameo appearances by Edward
R. Murrow, A.E. Matthews, Ronald Squire, Ronald Adams,
Walter Fitzgerald, Findlay Currie, Robert Morley, Fredrick Leister,
Basil Sydney, Noel Coward, Sir John Gielgud, Trevor Howard, Harcourt
Williams, Martine Carol, Fernandel, Charles Boyer, Evelyn Keyes, Jose
Greco, Luis Miguel Dominguin, Gilbert Roland, Cesar Romero, Alan
Mowbray, Sir Cedric Hardwicke, Melville Cooper, Reginald Denny, Ronald
Colman, Robert Cabal, Charles Coburn, Peter Lorre, Mike Mazurki, George
Raft, Red Skeleton, Marlene Dietrich, John Carradine, Frank Sinatra,
Buster Keaton, Col. Tim McCoy, Joe E. Brown, Andy Devine, Edmund Love,
Victor Mclaglen, Jack Oakie, Beatrice Lillie, John Mills, Glynis Johns
and Hermione Gingold. Around the World in 80 Days was nominated for 8
Academy Awards and won 5 Oscars, including Best Picture (Michael Todd),
Best Screenplay-Adapted (James Poe, John Farrow and S.J. Perelman), Best
Cinematography-Color (Lionel Lindon), Best Film Editing
(Gene Ruggiero and Paul Weatherwax), and Best Music Score of a Dramatic
or Comedy Picture (Victor Young). The film was originally distributed
by United Artists in two Todd-AO 70 mm versions, one for Todd-AO 70 mm
release at 30 frames per second reduced to 35 mm for general release.
The original Todd-AO 70 mm running time without the extra music was 179
minutes. The 70 mm print shown at the Rivoli Theater in NYC was
including removing most of the prologue with Edward R. Murrow remained
and the entire "Trip to the Moon" clips were cut. The intermission was
also cut for the 1968 re-release which included the freeze frame of the
ship and fade into the second half. Around 1976, after its last network
television broadcast on CBS, UA lost control of the film to Elizabeth
Taylor, who was the widow of producer Michael Todd and had inherited a
portion of Todd's estate. In 1983, Warner Bros
acquired the rights to the film from Taylor, and reissued the film
theatrically in a re-edited 143-minute version (this version would
subsequently air only once on Turner Classic Movies, this was before any
restoration on the movie was announced). In the years that followed, a
pan-and-scan transfer of the alternative 24 frame/s version was shown
on cable television. In 2004, WB issued a digitally restored version of
the 24 frame/s incarnation on DVD, also at its full 183 minute length,
but also including the original intermission, Entr'acte and exit music
segments that were a part of the original 1956 theatrical release, and
for the first time on home video at its original 2.2:1 aspect widescreen
ratio. This restored version was reconstructed from the best available
elements of the 24 frame/s edition WB could find, and was subsequently
shown on Turner Classic Movies. With its all-star cast and dozens of locations Around the World in 80 Days was the film of the 1950s.